Leti Sala
Writer, Lyricist, Words Enthusiast
1.
What led you to become a poet?
Before dedicating myself entirely to words, I was a lawyer. I chose this profession because I was in love with words, and I knew that the tool to defend a client was through language. That idea fascinated me. However, I realized that something colossal was missing: emotion. I discovered creative writing when I was a teenager, sharing poems and stories on the first social network that came to Spain, Fotolog.
Ten years later, I dared to do the same on Instagram, when I quit my job as a lawyer and wanted to get closer to the world of creative writing. I have always been a writer, ever since I was a teenager and I wrote without being asked.
ΒΏQuΓ© te llevΓ³ a convertirte en poeta?
Antes de dedicarme por completo a las palabras, yo era abogada. ElegΓ esta profesiΓ³n porque estaba enamorada de las palabras, y me constaba que la herramienta para defender a un cliente era a travΓ©s del lenguaje. Esa idea me fascinaba. Sin embargo me di cuenta de que faltaba algo colosal: la emociΓ³n. DescubrΓ la escritura creativa cuando era adolescente, compartiendo poemas y relatos en la primera red social que llegΓ³ a EspaΓ±a, Fotolog.
Diez aΓ±os mΓ‘s tarde, me atrevΓ a hacer lo mismo en Instagram, cuando dejΓ© mi trabajo como abogada y quise acercarme al mundo de la escritura creativa. Siempre he sido escritora, desde que era adolescente y escribΓa sin que nadie me lo pidiese.
2.
Do you have a favorite poem that you always return to? Which?
ΒΏTienes un poema favorito al que siempre regresas? ΒΏCuΓ‘l es?
IF YOU ARE HOLDING THIS BOOK
You may not agree, you may not care, but
if you are holding this book you should know
that of all the sights I love in this world
β and there are plenty β very near the top of
the list is this one: dogs without leashes.
β Mary Oliver, Dog Songs
3.
Where do you go for inspiration?
I don't go anywhere, in particular, to get inspired. I'd like to tell you that I know how to find inspiration, but I don't know yet. I think the process is rather the opposite: to be very attentive to when inspiration reaches me, to know how to catch it decisively. In my case, that happens by quickly writing down the idea or message that has come to mind in my notes on my phone and working on it afterward.
ΒΏA dΓ³nde vas para inspirarte?
No suelo ir a ningΓΊn sitio en especial a inspirarme. Me gustarΓa decirte que sΓ© cΓ³mo encontrar la inspiraciΓ³n, pero todavΓa no lo sΓ©. Creo que el proceso es mΓ‘s bien el opuesto: estar muy atenta a cuando la inspiraciΓ³n llega a mΓ, saber atraparla con decisiΓ³n. En mi caso eso pasa por apuntar rapidamente la idea o mensaje que me ha venido a la mente en mis notas del mΓ³vil y desarrollarla a posteriori.
4.
Your poetry is written in both English and Spanish. We have only seen this in the poetry of Natalia Toledo, who translated Zapotec into English. How has the language influenced your work?
Yes, in this piece I found it interesting that the poems were in two languages because since it is a relationship between two people who come from different parts of the world, it seemed to me that it made sense. On the other hand, this provides the reader with "different shades of meaning", which is just what poetry is so powerful for.
Tu poesΓa estΓ‘ escrita tanto en inglΓ©s como en espaΓ±ol. Esto solo lo hemos visto en la poesΓa de Natalia Toledo, que tradujo el zapoteco al inglΓ©s. ΒΏCΓ³mo ha influido el idioma en tu trabajo?
SΓ, en esta obra me pareciΓ³ interesante que los poemas estuvieran en dos idiomas porque al tratarse de una relaciΓ³n entre dos personas que vienen de distintos lugares del mundo, me parecΓa que tenΓa sentido. Por otro lado esto proporciona al lector βdifferent shades of meaningβ, que es justo para lo que la poesΓa es tan poderosa.
5.
If you had a playlist to go along with your book, what would you include?
Everything from Philip Glass.
Si tuvieras una lista de reproducciΓ³n para acompaΓ±ar tu libro, ΒΏquΓ© incluirΓas?
Toda la obra de Philip Glass.
For more from Leti follow her here & get her book here.
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